1988–92:
Early work and breakthrough
Khan
studied acting under the mentorship of theatre director Barry John at Delhi's
"Theatre Action Group" (TAG).Khan's first starring role was in Lekh
Tandon's television series Dil Dariya, but due to production delays, the
1988 television series, Fauji was his television debut. He played the
leading role of Commando Abhimanyu Rai in the critically acclaimed show, which
earned him mass recognition. He went on to appear in Aziz Mirza's Circus
(1989) and played a minor role in the made-for-television English-language
film, In Which Annie Gives It Those Ones (1989).
His appearance in these teleserials, led critics to compare
his acting style with that of film actor Dilip Kumar. In 1991, Khan shifted
base to Mumbai and received his first film offer with Hema Malini's directorial
debut Dil Aashna Hai. However, due to production delays, his second
film, Deewana (1992), alongside Rishi Kapoor and Divya Bharti released
first. The film became a box office hit, and launched his career in Bollywood.
Despite portraying a supporting character in the film, he won a Filmfare Best
Male Debut Award, the following year.
He
subsequently featured in Mani Kaul's adaptation of Fyodor Dostoevsky's The
Idiot, Idiot. Originally made for television, the film eventually
received a theatrical release and debuted at the New York Film Festival on 8
October 1992. Later that year, he played the titular character in the comedy, Raju
Ban Gaya Gentleman, which was his first of many collaborations with actress
Juhi Chawla. The film proved to be a box office hit. He went on to star in
Ketan Mehta's Maya Memsaab, an adaptation of Gustave Flaubert's novel
Madame Bovary. Upon release, the film generated controversy in India due to Khan's
appearance in an "explicit" sex scene with co-star Deepa Sahi.
1993–97:
Critical and commercial success
In
1993, Khan garnered appreciation for portraying negative roles, that of an
obsessive lover and a murderer, respectively, in the box office hits, Darr
and Baazigar.The "Encyclopedia of Hindi Cinema" analyzed that
"he defied the image of the conventional hero in both these films and
created his own version of the revisionist hero."Darr marked the
first of many collaborations of Khan with film-maker Yash Chopra and his banner
Yash Raj Films. Khan's stammering in the film and the usage of the phrase,
"I love you, Kkkiran," were popular with the audiences. His other
release, Baazigar, in which he played an ambiguous avenger who murders
his girlfriend, "shocked the Indian audiences" with an unexpected
violation of the standard Bollywood formula. His performance in Baazigar
won him his first Filmfare Best Actor Award.
The
same year, Khan played the role of a love-struck musician in Kundan Shah's dramedy
Kabhi Haan Kabhi Naa, a performance that earned him a Filmfare Critics
Award for Best Performance. In a retrospective review by Rediff, Sukanya Verma
called it Khan's best performance and added, "He was spontaneous,
vulnerable, boyish, mischievous and acting straight from the heart."Khan,
himself, considers this film to the best film that he has acted In 1994, Khan
once again played an obsessive lover in Anjaam, co-starring Madhuri
Dixit. Though the film was a commercial failiure, Khan's performance earned him
the Filmfare Best Villain Award.
In
1995, Khan starred in two box-office blockbusters. His first release was Rakesh
Roshan's melodramatic thriller Karan Arjun, in which Khan was a part of
an ensemble cast that included Salman Khan, Kajol, Mamta Kulkarni, Raakhee and
Amrish Puri. The film, which dealt with the concept of reincarnation, became
the second-highest grossing film of the year in India. He followed it with
Aditya Chopra's directorial debut, the romance Dilwale Dulhania Le Jayenge.
A major critical and commercial success, the film became the year's
top-grossing production in India and abroad. The film was declared an "all
time blockbuster"; it remains the longest-running film in the history of
Indian cinema and as of 2011, it is still playing at the Maratha Mandir theatre
in Mumbai. Dilwale Dulhania Le Jayenge has grossed over
1.2 billion worldwide. The film won
ten Filmfare Awards, and Khan's performance as a young NRI who falls for
Kajol's character while on a trip across Europe won him critical acclaim and
his second Best Actor Award at the Filmfare. In 2005, Indiatimes Movies
ranked the film amongst the 25 Must See Bollywood Films, citing it as a
"trendsetter of sorts". Raja Sen reviewed, "Khan gives a
fabulous performance, redefining the lover for the 1990s with great panache.
He's cool and flippant, but sincere enough to appeal to the junta
[audience]. The performance itself is, like the best in the business, played
well enough to come across as effortless, as non-acting. "
1996
proved to be a disappointing year for Khan, as he appeared in two critical and
commercial failiures, Praveen Nischol's English Babu Desi Mem and Mahesh
Bhatt' Chaahat However, in 1997, his starring role in Subhash Ghai's
social drama Pardes earned him commercial success. The film, which also
featured Mahima Chaudhry and Apurva Agnihotri, saw him portray the role of
Arjun, a musician facing a moral dilemma. His performance earned him a
nomination for the Best Actor at the Filmfare Award ceremony. He then featured
in Aziz Mirza's romantic comedy, Yes Boss, opposite Juhi Chawla. Upon
release, the film performed moderately well at the box-office. His final
release of the year was Yash Chopra's blockbuster musical romanance, Dil to
Pagal Hai. The project, also featuring Madhuri Dixit and Karishma Kapoor,
marked his second collaboration with the filmmaker. Khan essayed the role of
Rahul, a stage director who falls in love with one of his new actresses, played
by Dixit. The film as well as his performance met with critical appreciation;
he won his third Best Actor Award at the Filmfare.
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